НИЧТО

In the article the specificity of methodological function of nothing as category in philosophy and science is revealed. Special attention is paid to methodological function of this category in existentialism, religious philosophy and theology.

The causes and methods of an explication of concepts «nothingness», «vacuum», «non-existence» in minimalism and conceptualism art are parsed. The bases of a lack-aesthetics are considered. It is supposed, that in modern art conceptualism and minimalism appear as syncretic derivations, thanks to plural re-using of a subject and a mode nothingness.

In this paper the problem of non-being in the light of poststructuralist critics of the figure of presence is investigated. The major assumption of consideration of this problem becomes recognition of strong correlation between being and thinking, and also between thinking and representation in frames of the western metaphysics.